Miner’s

There’s something about painting a black and white photo into colour. Trying to choose colours that won’t seem ridiculous in the context of the painting. It’s a challenge but was enjoyable. I like the end result.

Bear spirit

The spirit of the bear walks with me. As I journey through this life,  bears medicine walks with me. It gives me strength when I need it and reminds me that sometimes you need to rest so that once again you can grow and keep moving forward. Kinanâskomitin, I am grateful

“Tell me a story – Acimowin”

"Tell me a story"

Tell me a story

“Tell me a story “

This mixed media piece includes a telegram sent in 1888 from the Chief’s Alexander, Alexis and Michael telling John A MacDonald that their community members are starving and that they had to break the law and kill the cattle in order to save the lives of they and their children and includes parts of the responses from the government. This piece includes images of piles of bison bones and hides from when the bison were slaughtered to show the impact of the loss of an important resource to all plains peoples. The pictures also show the use of the railway to transport the bones to factories to make fertilizer.
The man painted over top has his head down in reflection as he contemplates the telling of our history.
The words of the telegram show through to demonstrate how the history of colonization continues to impact us. The past will always sit with us, and it is important that we remember and tell our own history. The inclusion of archival documents shows a record supporting oral traditions about the impact of signing treaties, the neglect of treaty obligations especially after the 1885 resistance, the loss of access to the land and the loss traditional food resources. It demonstrates the loss of autonomy through the need to ask permission to slaughter their cattle and that without asking permission, they had broken the law and were at risk of being arrested. It is called “Tell me a story” because we continue to speak about our past and the impacts it has had on our communities.

Transcriptions of archive RG10, Volume 3794, File 46,205

Telegram:
Feb 23, 1888
From Edmonton, NWT
Sir John A. MacDonald. We are starving. We cannot get help from the agency, have killed cattle on reserve to save our lives so far. We don’t want to kill anymore but will have to unless we get help at once. We don’t want to break the law but we and our children are dying of hunger. We ask for a commission to investigate the truth of what we are saying but need food at once.
Alexander, Chief of River Qui Barre
Michael Callioux, Chief of Sturgeon river reserve
Alexis, Chief of Lake St. Ann Reserve

At that time, it was illegal for Indigenous people to slaughter their cattle without permission. Even though the cattle had been given to the people as their own to encourage farming, the Indian agent and the government did not consider the cattle the property of the people it was given to. The file this is from includes other documents that explain why the Indian agent decided not to have them arrest for fear it would cause another uprising.

This piece also includes the responses from the governments Indian department to this situation.

Response 1
Feb 24, 1888
To Major de Balinhard Indian Agent
Edmonton, NWT
Chiefs Alexander and Michael telegraph Indians are starving, cannot get help from agency. Killed cattle to save lives, will have to kill more unless assisted at once. They and children dying of hunger need food
at once. Please write facts. See Chiefs and inform them that you have been communicated with by dept. This reply questions the validity of the statement they are starving.

Response 2
Edmonton Feb 25, 1888
Contractors behind delivery provisions, Saddle Lake, Edmonton, and Whitefish Indians were hungry, now fully rationed, Lac La Biche also now receiving rations. Starvation extreme word. Edmonton and St Ann’s complaining all winter of short supplies of rations, not sufficient. Hard winter for all, fur scare, fisheries a
failure, no rabbits, will find next two months more. Samuel, member and spiritual advisor, [is] working this up
[This response downplays the lack of ration, providing an explanation for the provisions not being provided. This treaty
has a clause that stated provisions would be provided in times of famine. It also states that one member is overreacting and getting everyone worked up. It seeks to invalidate the experience of starving people.]

Kiyas ago, our mosom and kokoms; our grandfathers and grandmothers, told us this. We were starving, and our children were dying. We couldn’t get any help from the Indian agent. The law said we could not kill our own cattle. Lots of our traditional food was gone. We thought that we would also be gone.

Truth and Reconciliation

Generational Healing

I paint as an expression of what I feel that I cannot always explain with words. Sometimes these paintings come to me very clearly as this one did. I had been thinking about how much my family has been impacted by residential schools, how colonization has affected us and how these things are passed on generationally.

This painting represents how imposing blue quills has been on my family. There is a lot of intergenerational trauma because of it. We had multiple generations of family members attend this s hool.

Flowers represent medicines to me. The flowers are growing over the photos and bringing healing and change. Medicine comes in many forms.

The photo of blue quills is large because it had a huge impact. It’s not covered because it will never go away.

The smudge and eagle feather are clearing away the pain through reconnection to culture. Culture is medicine.

Each one of the flowers represents someone in my family. The purple ones are my dad and his siblings. The yellow ones represent myself and my siblings that’s why there are 5 of them. The orange ones are my parents grandchildren. The pink dots represent all of my cousins. The berries represent change and new growth. The sage also represents growth through healing. There are two photos of my family members as youth when they would’ve been in Blue Quills Indian Residential school

The background colours are there because of how this painting came me. Red is understood to be connected to healing, it is also understood to be the only colour that spirits can see.

Overall the painting is like a prayer for healing, separating my family from the school and the impact it’s trauma created.

Healing

This painting represents how imposing blue quills has been on my family. There is a lot of intergenerational trauma because of it. This place caused a lot of physical, emotional and spiritual pain for my family. My dad and all his siblings attended there. My mosom (grandfather) and his siblings attended there. My Chapan, great grandfather he was fortunate enough to not have to go to residential school. However he did have the experience of losing his father at a young age, when his father was murdered during the 1885 northwest rebellion . (That’s another story)

This painting came to me one night while I was thinking about the impact that residential school had on my family.

The flowers are growing over the photos and bringing healing and change. The photo of blue quills is large because it had a huge impact. It’s not covered because it will never go away.

The smudge and eagle feather are clearing away the pain through reconnection to culture.

The photos are of my dad and his siblings. Each one of the flowers represents someone in my family. The purple ones are my dad and his siblings. The yellow ones represent myself and my siblings that’s why there are 5 of them. The orange ones are my parents grandchildren. The pink dots represent all of my cousins. The berries represent change and new growth. The sage also represents growth through healing. The background colours are there because of how this painting came to me.